![]() But, as others have mentioned, it is sometimes hard to recognize differences and changes when tinkering as the sounds tend to start to sound the same. I've set the Blooming Inertia slider at its midpoint, as the program advises that the greater Inertia delays the energy transfer from the lower harmonics to the higher harmonics, something that seems advisable given that this effort is designed to reduce problematic sounds in the upper harmonic regions. The eight Spectrum Profile values are still at the default, level setting, including the 7th harmonic. As before, I kept the reverb MIx setting very low so I get mostly string/soundboard sound and very little reverb sound. ![]() To regain the brightness lost, I slightly elevated my Hammer Hardness values, as well as the Hammer Noise value. They do this because of their idea of a " resonant case" which should. Only the top part of the rim, where the soundboard is glued and the plate screws go, is made of beech. Initially, this had a dulling, muting effect, which I had anticipated from previous experiences of dull sound from lowering the curve. Just a small correction: Boesendorfer rims are not made of beech, but spruce, butcher-block fashion. In response to your info, I modified the upper right settings so the diagonal graph line stops at 102,99, and then proceeds horizontally to the edge of the graph at velocity 127. My previous velocity graph was, from lower left to upper right, as follows: all values 0 until velocity 14, then a straight line up and to the right to the upper FFF limit at velocity 118. Classical and film score composer - 1925 Romhildt Weimar 55' 1933 Broadwood 46'. I found your information interesting, and I've implemented some changes to explore this possibility. Bluthners (grands in early 1900s) are my fav all time pianos thus far, with bechsteins as a close and more versatile second. This has the side effect of lowering dynamics, but there is another fix for that in the dynamics slider (to the right of the velocity curve graph). In other words: the top right ending point for the velocity curve should be at 128 on the horizontal axis, and 95 on the vertical axis. Therefore, a quick fix for this is to make sure the velocity curve never reaches values above 95. ![]() QuasiUnaFantasia many Pianoteq instruments suffer from ridiculously overblown metallicness, and this becomes apparent at high volume (typically MIDI levels above 95, or so).
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